Description
| Weight | |
|---|---|
| Without batteries & media | 360g / 12.7oz |
| With batteries & media | – |
| Dimensions (W x H x D mm) | 151 x 91.5 x 31mm |
| Construction | Aluminium alloy chassis with ABS polycarbonate back plate |
| Mounting points | 1/4-20 UNCscrew mount; 1x top, 1x bottom |
| Power | |
|---|---|
| Operating power | 10 – 19W |
| Compatible batteries | NP-F series and supporting accessories |
| Input voltage (battery) | 6.2V to 16.8V |
| Battery time (based on 2 x 7.4V) | 5200mAh – up to 2hrs (monitor & record 4K +60p) |
| 7800mAh – up to 3hrs (monitor & record 4K 60p) | |
| DC In | |
| Continuous power * Patent pending |
Continuous power with external adaptor* |
| Touchscreen | |
|---|---|
| Size | 5” |
| Resolution | 1920 x 1080 |
| PPI | 427 |
| Aspect ratio | 16:9 native |
| Color Gamut | REC709 HDTV |
| Look up table (LUT) support | 3D LUT (.cube format) |
| Anamorphic de-squeeze | 2x, 1.5x, 1.33x, Panasonic 8:3 |
| Technology | SuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional calibration unit |
| HDR | |
|---|---|
| AtomHDR | Yes |
| Supported Log formats | Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C, Panasonic Vlog, JVC JLog, Red LogFilm, FujiFilm Flog, Nikon N-Log |
| HDR Recording (Gamut) | Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3, Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic Vlog, JVC JLog1, Red LogFilm / Log3G10 / Log3G12, FujiFilm Flog, PQ10k, HLG, Nikon N-Log |
| HDR Monitoring (Gamma) | Sony SGamut / SGamut3 / SGamut3.cine / BT2020 Canon Cinema / DCI P3 / DCI P3+ / BT2020 Panasonic V Gamut Arri Alexa Wide Gamut Rec709 JVC LS300 Red DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut |
| HDR Monitoring (Gamut) | Wide Color Gamut (SGamut / SGamut3 / SGamut3.cine / Canon Cinema / BT2020 / DCI P3 / DCI P3+ / Panasonic V Gamut / Arri Alexa Wide Gamut) mapping to Rec709 on screen Wide Color Gamut (SGamut / SGamut3 / SGamut3.cine / Canon Cinema / BT2020 / DCI P3 / DCI P3+ / Panasonic V Gamut / Arri Alexa Wide Gamut) mapping to Rec709 / BT2020 / DCI P3 on loop out |
| Bit depth | 10-bit (8+2 FRC) |
| Brightness | 1000nit (+/- 10% @ center) |
| HDR input (PQ/HLG) HDR output (PQ/HLG) |
Yes / Yes Yes / Yes |
| Video Input/Loop Out | |
|---|---|
| HDMI | 1 x HDMI (2.0) |
| SDI | – |
| Signal | Uncompressed true 10-bit or 8-bit 422 (camera dependent) |
| Video Output (Play Out) | |
|---|---|
| HDMI | 1 x HDMI (2.0) |
| SDI | – |
| Signal | Uncompressed true 10-bit or 8-bit 422 (playback file dependent) |
| Supported Loop Out Formats | |
|---|---|
| HDMI to HDMI | 720p 50/60, 1080i 50/60, 1080p 24/25/30/50/60/100/120 2160p 24/25/30/50/60 |
| SDI to SDI | – |
| Video Signal Conversion | |
|---|---|
| HDMI to SDI | – |
| SDI to HDMI | – |
| AtomX Expansion Port – Video, Audio & Power In/Out | |
|---|---|
| Video | Up to 4Kp60 |
| Audio | 12 channels digital 24-bit 96KHz |
| Power | 5V-16.6V |
| Supported Codecs & Frame Rates (Record & Playback) | |
|---|---|
| Video to ProRes / DNxHR(DNx utilizes a .MOV wrapper) |
Apple ProRes HQ, 422, LT AVID DNxHR HQX. HQ, SQ, LB 4K DCI; 24/25/30/50/60p 4K UHD; 24/25/30/50/60p 2K 1080p; 24/25/30/50/60/100^/120^ 1080i; 50/60i, 720p; 50/60p |
| Onboard Processing | |
|---|---|
| Pulldown removal | 24/25/30pSF > 24/25/30p (2:2 pulldown) 60i > 24p (3:2 pulldown) |
| 4K UHD downscale for HD monitoring | Yes – Loop-out and playback |
| Audio In/Out (48kHz PCM Audio) | |
|---|---|
| HDMI | 2 or 8ch 24-bit, camera dependent |
| SDI | – |
| Audio | Line in / Mic in / Headphone out 2ch 48kHz 24-bit |
| Headphone out | 3.5mm |
| Remote Start/Stop | |
|---|---|
| HDMI | Auto HDMI Trigger Supported Protocols – Canon, Sony, Atomos Open Standard |
| SDI | – |
| Other | LANC control – Slave |
| Playback | |
|---|---|
| Playlist / Genlock / LTC | Yes / – / – |
| CDNG (Recorded content) | N/A |
| ProRes (Recorded content) | All recorded files can playback. Playback in slow motion. |
| DNxHR / DNxHD (recorded content) | All recorded files can playback. Playback in slow motion. |
| Recording | |
|---|---|
| Pre-roll record | Yes (HD 8s, 4K 2s) |
| Custom timelapse | Yes* |
| Meta data tagging | Yes (10 tags available) |
| Supported media | 2.5” SSD/HDD compatibility depends on recording format, resolution and frame rate. Visit atomos.com/drives for list of tested and approved drives |
| Master caddy case | Master Caddy II (included) 75mm x 105mm x 12mm |
| Master caddy dock | 2.5” SATA to USB 2.0/3.0 |
| Supported applications | Supported Applications FCPX/FCP7+ / Media Composer 5.0+ / Premiere 5.5+ EDIUS 6.0+ / Vegas Pro 10+ / Lightworks / Autodesk Smoke 2015 |
| XML support | FCPX XML native, FCPX/Adobe limited supported with 3rd party conversion tools |
| * Timelapse feature will be added to next firmware upgrade | |
| What’s In The Box | |
|---|---|
| Accessories included | Ninja V unit, Master Caddy II x 1, 12V-3A AC power supply, Battery Eliminator Quick Start guide |
| Accessories | |
| Optional extras | Power Kit: 2 x battery, 1 x charger, 1 x power supply Other: Atomos HDMI cable, X-Rite i1DisplayPro calibration, Ninja V Sunhood |
| Supported Media | |
| Please refer to: www.atomos.com/drives | |
All specifications correct when published, subject to E&OE.
24/30/60 frame rates also means 23.98/29.97/59.94 frame rates for all resolution
* Available in future firmware updates
*** No HDMI spec for 2K DCI
^ From supported HDMI sources such as gaming consoles and graphics cards.
