Physical Specifications |
|
Dimensions (W x H x D mm) |
151 x 91.5 x 31 mm |
Weight |
360 g / 12.7 oz |
Mount points |
Anti-rotational 3/8-16 screw mount points, 1/4-20 screw mount adaptor installed. 1x top and 1x bottom |
Environmental |
|
Ambient operating temperature |
Up to 40 Degrees Celsius |
Construction and Control |
|
Body |
Aluminium alloy chassis with ABS Polycarbonate back plate |
Cooling |
Heat Sink and actively controlled fan with user selectable modes in menu |
Tally light |
Rear and front |
Multi-function button |
Power / lock Screen |
AtomXpansion slot |
Yes |
Power |
|
Input voltage |
5.8 – 7.2V (Battery) |
Operating power |
10-22W |
Compatible batteries |
NP-F L series and supporting accessories |
Built in battery |
No |
Battery Run time (Record) |
5200mAh – up to 2hrs (monitor & record 4K 60p) 7800mAh – up to 3hrs (monitor & record 4K 60p) |
Battery Run time (Monitor only) |
5200mAh – up to 2hrs (monitor & record 4K 60p). 7800mAh – up to 3hrs (monitor & record 4K 60p) |
Continuous power |
Enabled by optional AtomX SYNC Expansion Module |
DC in connector |
Via DC Jack on Battery eliminator |
Dtap |
Via Battery Eliminator and optional D-Tap to DC cable |
Display |
|
Touchscreen |
SuperAtom IPS panel (capacitive touch) calibration to Rec.709 with optional calibration unit |
Size |
5.2″ |
Resolution |
1920 x 1080 |
PPI |
423 |
Bit depth |
10Bit (8+2 FRC) |
Backlight Type |
Edge lit |
Brightness (cdm2 / nits) |
1000 +/- 10% |
Aspect ratio |
16:9 |
De-interlace mode |
I > P and PSF > P |
Color Gamut |
Rec.709 |
Calibration support |
Atomos Calibrator with Calibrite ColorChecker Display Pro or ColorChecker Display Plus (Retail) |
Color Pipeline |
|
Gamma |
Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3, ARRI Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600, Nikon N-Log, Panasonic V-Log, JVC J-Log1, Olympus OM-Log400 / Flat, Lecia L-Log, Z Cam Z-Log2, RED LogFilm / RED Log3G10 / RED Log3G12, FujiFilm F-log, PQ (HDR10), HLG |
Gamut |
Sony SGamut / SGamut3 / SGamut3.cine, Canon Cinema, DCI P3 / DCI P3+, Nikon NLog, Panasonic V-Gamut, Arri Alexa Wide Gamut, Rec709, BT.2020, FujiFilm F-Gamut, JVC LS300, RED WideGamut / RED DragonColor / DragonColor2 / RED Color2 / RED Color3 / RED Color4 Sony SGamut / SGamut3 / SGamut3.cine / Canon Cinema / DCI P3 / DCI P3+ / BT2020 Panasonic V Gamut Arri Alexa Wide Gamut Rec709 JVC LS300 Red DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut |
3D LUT Display |
.Cube Format |
3D LUT Output |
Loop out |
3DLUT 50/50 |
Yes |
Monitoring Modes |
Native / HLG / PQ / 3D LUT |
HDR output Conversion |
Log / HDR to HLG / PQ / Dolby Vision |
Video Input |
|
HDMI |
1 x HDMI (2.0) 4k p60 |
HDMI RAW |
Apples ProRes RAW up to 8k |
SDI |
2 x 12G SDI Backward compatible via optional AtomX SDI module |
SDI RAW |
Optional with AtomX SDI module + SDI RAW activation |
Bit Depth |
8/10-Bit Video / RAW up to 12Bit |
Video Chroma Subsampling |
420 and 422 |
HDCP copy protection |
Not supported |
Metadata |
|
HDMI |
RAW – white balance, exposure index, shutter speed/angle, iris F-stop, ISO, gamma, gamut |
SDI |
File name from Arri & RED via Optional AtomX SDI Module |
Video Output |
|
HDMI |
1 x HDMI (2.0) 4k p60 |
SDI loop out |
Optional Via AtomX SDI module |
SDI Play out |
Optional Via AtomX SDI module |
Video Chroma Subsampling |
4:2:2 |
Bit Depth |
10-bit Video / 12-bit RAW |
Web Streaming |
|
USB UVC |
Optional Via Connect 4k |
Video Signal Conversion |
|
HDMI to SDI |
Optional Via AtomX SDI module |
SDI to HDMI |
Optional Via AtomX SDI module |
Audio In/Out |
|
Audio Quality |
24-bit 48kHz |
Audio Codec |
PCM |
HDMI |
8ch 24-bit, input dependent |
SDI |
12ch 24-bit, input dependent |
Analogue Audio in |
3.5mm 2ch. |
Analogue Audio Out |
3.5mm 2ch. |
Headphone out |
3.5mm 2ch. |
Timecode / Sync |
|
Embedded |
HDMI and SDI |
Time of day |
Yes, Time and Date |
LTC |
via 3.5mm audio Jack input (Requires post processing) |
Wireless SYNC |
Via Optional AtomX SYNC Module |
Resolution and Frame Rates (Record, Monitor & Playback) |
|
8k |
RAW Only up to 30p via HDMI |
6k |
RAW Only up to 30p via HDMI and SDI (Camera dependent 5.9k HDMI and 5.7k SDI) |
5k |
RAW Only up to 30p via HDMI |
4k DCI |
23.98/24/25/29.9/30/50/59.94/60p – HFR 100/120 via RAW over HDMI & SDI on selected cameras |
4k UHD |
23.98/24/25/29.9/30/50/59.94/60p |
2K DCI 2046 x 1080 |
Optional via AtomX SDI module |
Anamorphic |
3.5k: RAW up to 60p (from supported cameras only) |
FHD 1920 x 1080 Progressive |
23.98/24/25/29.9/30/50/59.94/60/100/120p |
FHD 1920 x 1080 PsF |
converted to P and looped out PsF |
FHD 1920 x 1080 Interlaced |
23.98/24/25/29.9/30/50/59.94/60i |
1280 x 720p |
50/59.94/60p |
Recording CODEC |
|
Apple ProRes RAW |
ProRes RAW, ProRes RAW HQ (Free activation via my.Atomos.com) |
Apple ProRes |
LT, 422, 422HQ |
Avid DNxHD |
DNxHD 220x,220,145,36 (Free activation via my.Atomos.com) |
Avid DNxHR |
LB, SQ, HQ, HQX (Free activation via my.Atomos.com) |
H.265 |
LQ, MQ, HQ in 8/10Bit, 422 and 420 (Free activation via my.Atomos.com) |
Playback |
|
Playlist |
Yes, Create custom play lists from full or sub clips |
Loop |
Yes, with user customisable in / out markers |
Apple ProRes Raw |
Yes, recorded clips |
Apple ProRes |
Yes, with Linear PCM audio |
Avid DNx |
Yes, with Linear PCM audio |
H.265 |
Yes, recorded clips with Linear PCM audio |
Recording functions |
|
Pre-roll record |
Yes (HD 8s, 4K 2s) – Not available in RAW |
Timelapse |
Yes |
Multi Input / Switching |
|
SDI A/B toggle |
Via optional AtomX SDI module |
Multiple HDMI input |
Via optional AtomX CAST module |
Supported media |
|
Master Caddy I |
Not compatible |
SSDmini |
Native Size and Fit |
CFast II |
Supported cards via optional SSDmini CFAST II Adaptor |
File Naming |
Unit Name – Scene/Shot/Take |
File System |
ExFAT |
On screen tools |
|
Waveform |
Yes, 3 size / Position |
RGB parade |
Yes, 3 size / Position |
Vector scope |
Yes, 2 size / Position |
1 x Zoom |
Yes. 1:1 Pixel mapping for 4k |
2 x Zoom |
Yes |
Focus peaking |
Color selected / threshold setting / color / mono / edges only |
False colour |
Yes, with Scale |
Zebra |
Yes, Adjustable |
Isolate color channel |
Blue Only |
Cine Frame Guides |
2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3 |
Social Frame guides |
9:16, 1:1, 1.91:1, 4:5 |
Safe areas |
Action and Graphic |
Grid markers |
9 grid |
Anamorphic desqueeze |
1.25x 1.33x , 1.5x ,1.8x ,2x |
Display Flip |
Vertical Only |
Onboard Signal Processing |
|
Pulldown Removal |
24/25/30pSF > 24/25/30p (2:2 pulldown), 60i > 24p (3:2 pulldown) |
4K UHD Downscale for HD |
Loop out – 4K UHD to FHD |
DCI Crop |
Loop out – 17:9 to 16:9 Crop |
Remote control |
|
HDMI |
Auto HDMI Trigger, Supported Protocols – Canon, Sony, Atomos Open Standard |
SDI |
SDI trigger camera selectable |
Serial 2.5mm Jack |
LANC control and calibration via optional USB to serial cable |
Bluetooth LE |
Via AtomRemote app (requires AtomX SYNC module) |
Wireless RF |
Via optional AtomX SYNC module |
External Device Control |
|
Serial 2.5mm Jack |
Camera control for supported cameras via Optional USB to Serial Cable |
Bluetooth LE |
Via optional AtomX SYNC module to compatible devices |
Wireless RF |
Via optional AtomX SYNC module to compatible devices |
Supported Applications |
|
XML |
Cut tag EDL in FCPX XML |
Apple ProRes RAW |
Apple FCP, Adobe Premier, After Effects, Avid Media Composer, GrassValley Edius, Assimilate Scratch, Baselight Film Light. |
Video Codecs |
All Applications with support for Apple ProRes, H.265 and Avid DNX in .MOV wrapper |
What’s in the box |
|
Accessories included |
Ninja V +, EVA Carry case, 5″ Protective Monitor sleeve, Battery eliminator, international DC power supply, 1x MasterCaddy II and QuickStart Guide |
Optional extras |
Sunhood, DC to D-Tap, Power Kit, HDMI Cables, USB to Serial cable, AtomX SYNC, AtomX SDI, AtomX CAST modules, UltraSync ONE, UltraSync Blue |
Warranty |
|
Standard |
1 year. Extended to 3 years on product registration |